Recently my good friend asked me to photograph his baby son Eric. I gladly accepted because I don’t usually get to photograph babies and wanted to give it a try. The only problem was that my friend’s house didn’t have any suitable place to make a little studio out of, every place I looked at was too cluttered with stuff, which could distract the viewer’s attention from Eric. Finally I found a few places but knew in advance that the resulting photographs won’t be the way I’d like them to be.
Still I wanted to make at least a few photographs that would stand out and satisfy my artistic demands 🙂 The only solution I could come up with was to shoot close-up shots of Eric so that background wouldn’t matter much. Three of those shots I chose to present here.
The key aspect of the following photographs is the light. It is different in all three of them, but in each photo it plays very important role.
For the following photograph I used a 100mm Canon macro lens at f2.8. I had a flash with me and tried to use it, bouncing from the ceiling or walls and varying its power, but I didn’t like the results – the light was too harsh and too white for my taste. Yes I could use a 1/4 CTO gel to warm up the light a little bit, but I choose a different approach instead – I asked my friend to take Eric and come closer to the window.
It was about 5 o’clock in the afternoon and sun light was still pretty strong, but was already getting warmer as sun got lower and lower. After positioning the happy couple the way that there were no significant shadows on Eric’s face I started to shoot, and the photo below was the winner of that batch. I like it because of the intimacy it transmits to the viewer, the closeness between the child and his parent. Because the light coming from the window was much stronger than the light in the room I could set the exposure so that the background remained completely black.
Click on the photo to enlarge.
For the next two photos I used a 70-200mm f4 L Canon zoom lens at f4.
In the next photo I took Eric to another window in the house, with transparent white curtains to serve as background. I intentionally went for the high contrast in lighting in order to create a little drama. But nevertheless as you can see there are no harsh shadows on Eric’s face, that would be unaesthetic for my taste. I like the way his eyes are emphasized in this photograph as if they were eyes of an adult but on a cute baby face.
Click on the photo to enlarge.
I also included the photo below in this article to demonstrate use of reflected light. In this photograph my friend hold’s Eric close to his body, and the light from the window reflects from his body and lights Eric’s face with soft warm light. So in order to create warm light you don’t always need gels and flashes… sometimes human skin can do the job just fine! 🙂
Click on the photo to enlarge.
What additional tips can you share regarding photographing babies? Did you like the photographs presented here?
As always comments are highly appreciated, and
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Till the next time,
Take care!
Greg.
Nice captures. The 1st one is my favorite. I love the light and the intimate mood you’ve created. You have the right idea using the window light. If too harsh you can hang a plastic shower curtain to diffuse the light. Also I’m sure you’re familiar with using a white foamcore board as a reflector. On the last image, I would like to see more light reflected in the baby’s face seeing that is the subject. Beautiful light though – wonderful capture of mood. You’d be surprise what you can create for a background with a piece of white or black fabric.
Thank you Kathy. Yes, I know about the foamcore, it can also be even plain white cardboard if don’t have anything else, but the thing with reflectors is – someone has to hold them 🙂 and I didn’t have anyone to do that then.
And yes, I wasn’t thinking! I bet I could find at my friend’s house piece of black or white fabric, and that would help me with my background problems… too late now 🙂
As I always said – being creative is the one of the most important things in photography.